No Friend to This House

'An illuminating and often thrilling work of feminist reclamation' - Guardian

No Friend to This House is an extraordinary reimagining of the myth of Medea from the Sunday Times bestselling author of Stone Blind, Natalie Haynes.

This is what no one tells you, in the songs sung about Jason and the Argo. This part of his quest has been forgotten, by everyone but me . . .

Jason and his Argonauts set sail to find the Golden Fleece. The journey is filled with danger, for him and everyone he meets. But if he ever reaches the distant land he seeks, he faces almost certain death.

Medea - priestess, witch, and daughter of a brutal king - has the power to save the life of a stranger. Will she betray her family and her home, and what will she demand in return?

Medea and Jason seize their one chance of a life together, as the gods intend. But their love is steeped in vengeance from the beginning, and no one - not even those closest to them - will be safe.

Based on the classic tragedy by Euripides, this is Medea as you've never seen her before . . .

Readers are loving No Friend to This House:

'No Friend to This House is brutal and gut wrenching . . . I loved it!'

'Natalie Haynes could write a shopping list and I would run out to get a copy of it and read it the same day'

'No Friend to This House is well paced, intricately woven and very clever - it's a history lesson without the lecture'

'Haynes once again proves that she's the reigning queen of reimagined myth . . . bold, heartbreaking, and utterly unforgettable. I loved it'

Review: Haynes' Medea is especially striking - both fearless witch and desperate lover - capturing all the facets and contradictions of the character in the ancient sources . . . Another masterpiece from Haynes. -- Costanza Casati, author of Babylonia
Natalie Haynes is a once-in-a-generation storyteller, and No Friend to This House is her masterpiece. Haynes does not so much retell the myth of Medea as excavate it, layer by devastating layer, for truths both timeless and timely. This is a stunning novel that cuts to the bone. -- Dr. Amanda Foreman, author of Georgiana
An incredible feat of storytelling, bringing to life all the strands of the divine and human which led to one of the most fascinating myths of all time - Medea -- Martha Kearney
A stunning, slowburning tale full of passion and vengeance * Woman & Home *
The myth of Medea captivatingly retold (complete with the most beautifully foil-tipped pages) will completely reset your commute * Stylist *
If there is one thing Natalie Haynes knows how to do, it is reposition the classics. And her latest offering, No Friend to This House, raises the bar even more . . . In the world of Greek tragedy, Medea is often considered one of the most complex and divisive characters. But Haynes' No Friend To This House gives readers more to consider about her * Press Association *
Witty, gripping, ruthless -- Margaret Atwood, bestselling author of The Testaments, on Stone Blind
An exceptionally powerful retelling of Medusa's story, an emotional gut punch of a novel . . . It is a dazzling achievement -- Elodie Harper, bestselling author of The Wolf Den Trilogy, on Stone Blind
Inventive and playful . . . [and] very funny -- The Times on Stone Blind
With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War -- Madeline Miller, bestselling author of Circe, on A Thousand Ships
Absorbing and fiercely feminist . . . A many-layered delight -- The Guardian on A Thousand Ships
A sparkling narrative . . . A Thousand Ships blows the dust off the classics -- The Washington Post on A Thousand Ships
Haynes balances a fresh take on the material . . . giving new voice to the often-overlooked but fascinating Jocasta and Ismene -- Madeline Miller, bestselling author of Circe, on The Children of Jocasta
A wonderful and inventive take on an ancient tale -- The Times on The Children of Jocasta
Glorious, gripping and brutal . . . I loved it -- Victoria Derbyshire, journalist and broadcaster, on The Children of Jocasta